๐ŸŽป The irony of running an online Irish fiddle business


Hi Reader!

Isn't it funny that my favorite thing about my primarily online Irish fiddle business is getting to teach live in-person events?

I'm back from my third year of teaching at Summer Wheat Traditional music camp in the heart of Michigan, and each year I get to work with such a fun group of students -- some returning, and some new.

It's a small group where the most I had in a class was 6 students, meaning that there was time to get everyone's questions answered and also collect individual feedback about what they wanted to get out of class (I will always ask this at the start of a live class, and I've started doing this more in my online studio too).

The most rewarding part of the entire camp week for me was our final day of classes on Friday morning, where one of my students sat up a little straighter and said "That just unlocked something for me!"

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I shared that "aha moment" exercise in one of my YouTube Short tip videos here!

I'm at around day 20 of 100 days of YouTube Shorts in my little self-imposed challenge, and still having fun!

So far I've learned that YT still mostly counts 60 seconds or less as a true "Short" so those videos get a bit more reach than the ones that are between 1-3 minutes.

Also both tunes and tips are doing equally well when they hit under 1 minute, so I love that there's space for both of those!

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I've talked about how lilting or singing the tune prior to playing it can be a really good idea before, but sometimes it takes demonstrating or saying it in a new way to spark that "aha moment"!

So for this particular student, trying to think about phrasing and getting "lilt bowing" by thinking in up and down bows was just too overwhelming. The notes go by really quickly, and you've got to be fast to catch all the bow patterns.

Rather than think in up's and down's, this student was able to place a few slurred bows throughout the tune by "singing the slurs".

What I mean by that is we assigned a specific syllable (dee-YA) to lilt a slur. Then we sang through the whole A part, adding the "dee-YAs" in where they made sense.

Not only were we getting the tune more internalized from learning by ear, but we were also naturally putting in the phrases. Our bows knew what to do to create that sound once we put the tune on the fiddle!

I love these breakthroughs for two main reasons:

  1. It means the student is getting a win and playing with a style they love.
  2. It's better for the collective -- because if I know how to explain something several different ways, it's going to help more people than if I were set in saying one specific thing!

That's really what these weekly letters are all about, Reader. I talk about a lot of the same things (listening, phrasing, session etiquette, performance anxiety) -- but each time, the goal is to talk about it in a different way and unlock something new.

I think we can all benefit from being in a world where we embrace multiple perspectives and get curious about what is new and unfamiliar.

Wishing you a wonderful week ahead, and happy practicing!

~Hannah

Hannah Harris
I help aspiring Irish fiddlers find their lilt and get the real feel for the music.
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Learn with me live in Saline for Michigan Celtic Fest on July 12, via private Zoom lessons, 1:1 Feedback Videos, and the Tune Library!

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